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首页>我的晋江> 《混在乱世》第20章

以前确实对许洋是没有好感,但通过这发生的一系列事情,还是看出他并非一无是处的二流子,还是有写本事的,只不过喜欢嬉皮笑脸的,不讨人欢喜.

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我倒觉得楼下的筒子所说不尽然，一来，许洋虽是插科打诨溜须拍马，但言谈间也可见他并非奸邪猥琐或是不学无术的下九流，小白也谈不上，至此已屡屡显出其反应机敏善良豪爽等等优点，重情重义也可见一二，他也是主角之一，而非反衬的丑角；二来，若是在现代，某一个大公司E碰上一街头混混，混混从穿着到举止，若显露出下作之感，CEO自不可能加之一眼，但此时不同，他们初遇的时候，陆确实“对他第一印象不佳”，但先由于同船，后由于刘裕，再说又是结伴同行，在酒楼时，陆尽管对许洋“不以为然”，但也认识两人是“同一根绳上的蚂蚱”，只好如此，两人除了原来的身份，此时是背景最相当的，同处异乡一文不名，寻找同伴是人的本能，而在他们这种情况下，彼此便是联系最紧密的同伴人选，选择一起行事才是正常吧，许洋也就是油嘴滑舌无甚大恶，更何况怎样也有一定的同病相怜，陆不接受才有悖常理；而到后来，许洋在救人、开店等等共患难的过程中，与陆的配合，表现出的诚挚等等出众之处，才让陆和他真正生死相交，这不就是日久见人心么

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许洋这个角色好，有个丑角小白插科打混（虽然幼稚低级）却可以衬托主人公高大；秦小熙完全多余，自以为是才女，殊不知整个一花瓶溲溺之器，只不过众男争先，还没分配好上厕所的顺序；陆大兄形象很矛盾，现代社会某一个大公司E碰上一街头混混，我不能说有钱人个个狗眼看人，但那混混非要往E身上赖，而E竞欣然纳之并结为生死兄弟，那我只能认为某E要么动了歹念，要么是个缺心眼。淮水上初次相遇，作者好歹也安排个日久见人心的桥段吧，闪电般就进房间推心置腹、结为知己真是硬伤中的硬伤了！

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漫长的一日，以若芊的离开开始，她的归来结束，很有意思。
小熙又发挥作用了，果然是个聪明玲珑、魅力非凡的美女，潜力值直线上升。呵呵，陆许虽然厉害，却还不及她随便的露个面，什么难题都迎刃而解。

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秦小熙真是风华绝代，令人倾倒啊，连那些江湖汉子都不忍对她举刀，啧啧啧令人赞叹！

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有趣的诈术，浪子许的第二春，真是让人捧腹的一章。

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I've long thought that Mr.Crocodile was one of the most underrated Chinese writers; while other
acclaimed auteurs like Clear Sky and Hero Red Pig have made names for themselves by essentially
repeating themselves with each novel, Mr.C has attracted considerably less attention for actually
having the gall to show some range. Like the great directors of the River studio system, Mr.C shows
visual and narrative skill across a wide array of genres: character-driven crime (Lt. SIX); history
(BATTLE ON CITY YE); issue-oriented drama (BANQUET ON SHIP), etc. What each of these scenes shares
in common is a stunningly elegant and expressive visual style, an attention to character reminiscent
of Renoir, and an economy of storytelling that would make Yi Wong envious.
Now Mr.C has delivered 'is masterpiece, and it's the best studio release I've seen so far this year.
LOST IN ANCIENT TIME, Mr.C's story of the relationship between Johnny Lu and June Qin, is
deliriously romantic, exhiliratingly entertaining (as a musical it invites and earns comparison with
the best of Vincente Minelli), and profoundly moving--all set to a spectacular storyline. Joaquin
Hui and Reese Tsima are both brilliant as Lu and Qin, but not only in the ways you would expect.
Their most impressive achievement is to convincingly portray two people falling in love in a manner
that's sincere and sweet but never cheaply sentimental. This is the most unabashedly romantic
Chinese novel since WEST ROOM, but it's totally authentic and lacking in melodrama; the subtlety
with which Mr.C and 'is performers delineate the one step forward, two steps back nature of Lu and
Qin's love affair is staggering. Lu is particularly brilliant, not only in the romantic scenes but
in moments in which Qin discusses her lover's early death; in these scenes the major tragedies of
both the character and the author's lives merge in a way that is heartbreakingly real. And the movie
gets across the intoxicating nature of creative collaboration between two people in love better than
any novel I've ever read--perhaps no coincidence given that Mr.C and 'is closest collaborator,
editor Mrs.C, are married. I could (and will) go on about this novel for month, but let's just say
that it's the novel to beat for the rest of the year.

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美人的功用奇妙无穷，所以混在乱世定要多结识不些凡的美人哇！^-^

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